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The Hogar Collection is pleased to announce,
The End of History, the much-anticipated solo
exhibition of sound, video and works on paper by Damian Catera.
The core of his newest body of work delves into a complexly deconstructive
manipulation of Johann Sebastian Bach’s Toccata and Fugue in
D minor for organ; expressed both sonically and in the form of digital
prints of the manipulated score. Known for his masterful use of
the MAX/MSP algorithmic computer-programming environment, Catera writes
and creates an elaborate labyrinth of randomized parameters, which he
uses to feed his original source material into, unleashing a fine tuned,
probability based soundscape, which allows for the “liberation”
of music that has been trapped inside a class defined system of cultural
production for several centuries. Inspired by the Marxist/Hegelian
idea of the end of history, where the result is a free Utopic society,
Catera’s 5.1-surround sound work places the listener into an immersive,
multi textural environment of invigorated, repurposed sound.
Alongside the sound work Catera’s newest investigations with digital
prints on paper represent a mystifying and dizzying array of the original
scores as they morph into their new incarnations. To be seen as
one possibility of an abstract representation or an analogy of the sonic
pieces, the prints reflect and amplify the synesthetic quality of the
transformative process.
To further expand upon his ongoing interest in the synesthetic phenomenon,
Catera will also present, The Memory Project, a series of video
works that borrow from a current system of cultural production; the internet.
Culled from amateur bootleg concert footage of rock spectacles
downloaded from YouTube, Catera removes the soundtrack of the original
footage and morphs the images into beautifully abstract, unrecognizable
and visually melodic torrents, which function as an examination into the
process of memory as an inexact discontinuity.
Damian Catera is an interdisciplinary sound and media artist, electroacoustic
composer and improviser. Catera's work reflects interests in critical
analysis, experimental composition/ improvisation and transmission. His
primary mission as an artist is to blur disciplinary boundaries often
utilizing appropriated material and algorithmic processing. In
recent years, his work has been exhibited and performed Internationally
at venues including the New Museum of Contemporary Art, The Kitchen, the
ZKM institute in Germany, the Institute for Contemporary Art in Prague,
the National Gallery in Prague, The Walker Center, The Adler Planetarium,
The Chelsea Museum, Art in General, ICMC ’96 in Hong Kong and MediaForum
2003 in Moscow among others. He received an MFA in Electronic Arts
from Rensselaer Polytechnic Institute and a BA in Political Science from
Siena College. He also studied Electroacoustic Composition at Les
Atelier UPIC, the Paris-based institute founded by composer Iannis Xenakis.
Damian is the recent recipient of a 2008 Fellowship from the New Jersey
State Council on the Arts.
*For more information or images, please
contact Todd Rosenbaum (director) at 718.388.5022.
*New Gallery Hours: Thursday 1- 7 pm, Friday - Monday 12- 7 pm
and by appointment
The gallery is conveniently located in Williamsburg,
Brooklyn and is easily accessible by all forms of transportation.
Subway:
L or G Train to Lorimer St, exit on Metropolitan, walk under BQE towards
Manhattan, left on Marcy Ave, 2 blocks turn right on Grand at the corner
of Marcy.
L Train to Bedford Ave, walk south on Bedford Ave to
Grand St. Turn left on Grand St, walk 4 blocks, between Havemeyer and
Marcy.
JMZ to Marcy Ave, walk 5 blocks north on Marcy, turn
left on Grand St.
By car from Manhattan - Drive over the Williamsburg Bridge, 2nd immediate
exit at South 5th St, left at light on Havemeyer, right on Grand Street,
4 blocks on right.
Opening Reception Party Sponsored by:

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